Thursday, December 27, 2012

A Golden Decade for Simeon Ide


 
 
 
 
As Simeon became older, his devotion to Evelelina never wavered.  Louis Flanders gives us several glimpses of Simeon's love for Angelina in his book. In 1827, Simeon and a friend were out at a political rally. He convinced the friend to spend the night at his house, because they had both been drinking and it wasn't a good idea for the friend to go all the way home. They made such a racket coming up the walkway and into the house that they woke Evelina up and she met them at the door. As he told his son-in-law (probably Louis Flanders' father) “you should have seen the look on her face”. That was it for Simeon and alcohol. The next day, he took all the liquor bottles out of the house, smashed them against the foundation of the barn, and never touched a drop of liquor again. He also didn't smoke or play cards until he was in his eighties.

Simeon joined the Episcopal church, although he makes it plain in his diaries that he had never been in love with “The Church of England”. My guess is that Evelina was Episcopalian and it was her wish to join the Episcopal church in Windsor. Why else would Simeon have joined a church he didnd't really like? Her brother Edward became the vicar of the Episcopal Church in Windsor, which seems to me to indicate a strong tie to the Episcopal church. On the other hand, there is no mention of Lemuel and Sarah having strong ties to any denomination.

Once he had decided to join the church, Simeon threw himself into church affairs with enthusiasm, becoming a vestryman and a delegate to the Diocesan conventions. Louis says, “There are some of us alive today who remember him in his eighty-eighth year, standing in his pew as erect as in his youth, his fine old head crowned with a shock of snow-white hair, earnestly responding to the psalms or joining in the hymns with a trembling voice.”

The 1820's were a golden decade for Simeon. His family and his business were growing by leaps and bounds. In 1820, when he moved his shop to the second floor of West's tavern, he had a Ramage two-pull wooden frame printing press. The sole main difference between a Ramage press and the original printing press invented by Gutenberg was that Ramage incorporated many metal parts into his press, thus making his press much more durable. The Ramage press was called a “two pull” because each copy required the printer to pull the lever down twice. Although presses made totally of iron did exist at that time, they were wicked heavy and hard to take apart, making the Ramage press more popular for the average printer.

 
 

In 1824, Simeon did have to break down and buy a Wells Iron printing press. This press was still operated by hand, but needed one pull instead of two. Peter Wells, of Philadelphia, had designed a printing press with a series of toggle levers rather than a main screw. The more powerful motion of the toggle switches tore apart wooden frames, so the whole machine had to be made of metal. Unfortunately for Wells, several other inventors from America and Europe had similar designs, and the controversy of who had the idea first has never been solved. The Wells press only dominated the industry for a few years. Simeon's Wells press may have been the first iron printing press used in Vermont

 

In 1828 Simeon bought a bed and platten power press which printed 12 sheets a minute. This press was invented by Haskell and Metcalf of Woodstock, Vermont. Bed and platen power presses used flat bed and flat impressions to print, and not rotary drums. This printer used water or horse power throughout the whole printing process, except to load unprinted sheets of paper in the front and take off the printed sheets at the back. Although this purchase put Simeon into a new era of technology, it also ended an era of prosperity and success, and ushered in an era of headache, heartache, and stress.
 
 

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